The novel centers on the emotional development of two protagonist characters who are two worlds a part socially but very alike in their pride and ability to form prejudices. In the stagecoach, Gatewood talks admiringly about the army men back in the town. Lucy’s class is particularly highlighted by her interaction with the raffish and sinister Hatfield. Lucy’s patrician attitudes and finery are somewhat at odds with her rustic surroundings, and she represents the diverse class positions that peopled the West. Lucy peers out of the stagecoach and spots him through the window; he raises his eyebrows at her, then says to himself, “Like an angel in a jungle, a very wild jungle.” He then turns to a man he’s gambling with and says, “You wouldn’t understand, cowboy. They silently walk past him and into the hotel. He is an outlaw, but also a brave and noble fighter who becomes an asset to the stagecoach when they encounter danger. Clergy get a unique view into people’s lives. It cuts to an isolated town with the county sheriff, guns in every man’s hand. Instead of fleeing from custody, he senses danger and stays to help the others: a heroic move for a supposed con-man. Boone asks for a free drink and tells the bartender that he’s leaving town for good. We see a caravan of horses and stagecoaches moving down a dirt road in the middle of the plains. Buck tells Curley he doesn’t feel good about driving a stagecoach through Apache country. He couldn’t doctor a horse!” says one of the women, indignantly. Curley remains skeptical about Gatewood’s story. Curley arrests him and he joins the travelers. A stagecoach is a four-wheeled public coach used to carry paying passengers and light packages on journeys long enough to need a change of horses. One of his more humorous affects is his constantly cracking voice.

At a camp, a flag is raised as a man plays a bugle. “Haven’t I any right to live? At the start of the film he has escaped, and the stagecoach encounters him on their journey.

He then tells Curley that he’s saving up money to get married, and Curley wonders about what Gatewood was doing on his way out of town. The opening sequence features galloping horses towing along a wooden wagon with dust filling the air as they move towards the West. When Curley asks the group if they still want to embark on their journey, everyone does.

Another comic character is Buck, the easily frightened and squeaky-voiced driver. He is a notorious gambler, and many of the other men do not trust him. resource to ask questions, find answers, and discuss the novel. Even apart from the fact that their travel route is a high risk area, all of the characters on the stagecoach are putting themselves into unusual circumstances, save perhaps Peacock, who is a traveler by trade. Ringo is a rugged outlaw who was wrongfully put in jail after the Plummer brothers killed his father and brother. In the end, Ringo gets his revenge, his girl and his freedom. One of the men suspects that he’s looking to get revenge on the “Plummer boys,” the men whose testimony got him sent to jail in the first place. The Plummer brothers are a brutish trio of brothers. Also, throughout the movie, his behavior suggests a “quiet power.” Although an outlaw, he is knowledgeable about the journey the other characters are taking and tries to lend a helping hand. Inside a tent, a man tells another that a group of Apache Indians are being stirred up by Geronimo, a tribal leader. None of them are especially used to travel, but are all thrown into the same situation. Ringo takes an immediate liking to her, and his acceptance gives her the courage to begin respecting herself more and imagining a better life for herself. Next comes an extended sequence of exposition, in which we see the social and political dynamics at play among white settlers in the West.

Whether or not Ford’s altered version of an outlaw was intended, Ringo was key to the plot of the story. The stagecoach makes its way through Monument Valley. He speaks fondly of his wife and many children, and along the journey strikes up an unlikely friendship with the sloppy Doc Boone. The first character is Elizabeth Bennet, Mr. Bennet’s second daughter and the most… We are invited into people’s most painful and personal moments. Their strange tension, at once antagonistic and erotic, shows us the way that class distinctions are blurred and positioned against one another in the film. Our class made it to the Honors webpage. Lucy makes the rather daring decision to travel through Apache Country while pregnant with a child, even in the face of discouragement from her acquaintances. Such is a strategic development that enhances the conflict in the plot of the play as the discussion below portrays. Doctor Boone is also being pushed out of town, for failing to pay rent and general drunkenness, and he is contrasted with the priggish and effete Mr. Peacock, a whiskey salesman whom everyone mistakes for a clergyman. Boone leans his head out the window and bids farewell to the Ladies of the Law and Order League. A group of men leer at Dallas as she gets onto the stagecoach, exposing her ankle seductively to a group of cowboys. “But, brother, aren’t you aware what’s happened?” asks Peacock. The Ringo Kid. The change in her character occurs strategically owing to her experiences that compel her to mature thus act in a wiser manner than the rest of the character assume her to be.

It is made clear that Ringo had gone against the law by breaking out of prison. The Question and Answer section for Stagecoach is a great His behavior is so mannered that people often mistake him for a member of the clergy, a comedic contrast with his actual job in liquor sales. Widely used before steam-powered, rail transport was available, a stagecoach made long scheduled trips using stage stations or posts where the stagecoach's horses would be replaced by … In a small town in Arizona, we meet Lucy Mallory, an especially upper-class Southerner who is on her way to meet her husband in Lordsburg. Be a proud, glorified dreg like me.”. The lieutenant tells Curley and Buck that they have to notify the passengers of the risk, and let them decide if they still want to travel. Not affiliated with Harvard College. ( Log Out /  His dynamic with Peacock is particularly comic in that his bawdy shamelessness contrasts with Peacock’s mannered comportment. Within the first three minutes of John Ford’s Stagecoach, the viewer is transported to the “Old West.”  The opening sequence features galloping horses towing along a wooden wagon with dust filling the air as they move towards the West. Additionally, there is the Confederate gambler, Hatfield, the corrupt banker, Gatewood, the clownish driver, Buck, and the noble Marshal Curley. “You’ve seen Luke Plummer in Lordsburg?” asks Marshal Curly, surprised, before grabbing his shotgun and saying he’s going to Lordsburg with Buck.

The Western film touched upon every stereotypical image imaginable within those first few shots except for one: the outlaw. Curley doesn’t quite trust him, but lets him in. They help her onto the stagecoach. As she walks down the street, she encounters a drunken doctor, Doctor Josiah Boone, who is being evicted from his office for not paying rent. In the preface, a man in the American military receives word that Geronimo is planning an attack, and this news hangs over all of the following action. He is driven from town for not paying his rent and serves as comic relief on the stagecoach's journey. A dynamic character , in contrast, is one that does undergo an important change in the course of the story. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. “Didn’t expect to see you riding shotgun on this run, Marshal,” he says, as Curley holds up his rifle. Hatfield is a former Confederate soldier who takes an interest in Lucy Mallory and feels protective of her on the stagecoach journey. Even the quintessential “damsel in distress” makes her presence known. His character traits didn’t necessarily change throughout but the audience’s view of him did. The stagecoach starts to embark, when suddenly a lieutenant comes up alongside it and a man delivers a note that tells of the danger with Geronimo. This group is a motley group of many different kinds of people, a sort of microcosm of the diverse range of characters in the American West. Lucy says it’s just a few hours and she isn’t worried about it. He does not get along with the other characters in the stagecoach, and looks out for Lucy with a chivalrous attention. Inside, Lucy asks Mary and Captain Whitney who the man outside was, and they tell her that he’s a “notorious gambler.”. Stagecoach study guide contains a biography of John Ford, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Curley tries to convince Lucy to not go on the trip, but she replies that her husband is in Lordsburg and she wants to be with him if he’s in any kind of trouble. He believes in upholding the law, doing what's right, and being brave, and he acts as a kind of leader in the trip to Lordsburg. Meanwhile, the stagecoach driver, Buck, goes into a building in town and asks Marshal Curly Wilcox for his “shotgun card.” The men tell him that someone named the “Ringo Kid” has escaped from jail and is on the loose. Even though the threat… After Ringo proposes to Dallas, she goes to Doc Boone for counsel, wondering if it could ever work with the outlaw. Boone, the drunken doctor, is a comic character in that he seems to be a remorseless drunk, as affable as he is pathetic. ( Log Out /  There is talk of gambling and banking, the notable name of Wells Fargo  making an appearance. While he is not a particularly respectable individual in society's eyes, he has a strong sense of what is right, and is loyal to his father and brother's memory, vowing to avenge their deaths. Boone pipes in, drunkenly telling Gatewood that they’re all going to be scalped. Boone climbs on after her, as well as Mr. Peacock.

Westerns play off this notion by having an outlaw either be the antagonist or the protagonist that eventually becomes good. Boone is a perfect example of a person who doesn't have a good reputation in society, but has a strong sense of what is right. In contrast to the serious and sophisticated Lucy Mallory is Dallas, a rowdy saloon girl who is being pushed out of town for her prostituting ways. An Indian envoy, who gave them the information, stands nearby, and when one of the white men questions whether the envoy is lying, another tells him that the messenger is Cheyenne, and “they hate the Apache worse than we do.” Suddenly a message comes in via telegram; it reads simply “Geronimo.” Ominous music plays as the men pass the message around.